法国艺博会FIAC看点

法国艺博会FIAC今年迎来了她第40个年头,今年的fiac仍在巴黎大皇宫举行,将持续至本周日晚。大皇宫的玻璃穹顶总是让fiac莫名得高端洋气。然而,把上周伦敦frieze艺博会比下去的不只是fiac所在的建筑而已。除却纽约的Paula Cooper、Barbara Gladstone与 Andrea Rosen之外,巴塞尔艺博会主展区的核心画廊/评审会委员neugerriemschneider(柏林)与 Xavier Hufkens (布鲁塞尔)在今年都选择了fiac而非frieze。Hufkens告诉我“fiac是我一向的选择”,当我问及Stephane Custot为何伦敦的一线大画廊今年都选择参加fiac而非frieze,他告诉我,对Waddington Custot Galleriess画廊而言,“frieze艺博会主展区气数已尽”,但画廊还是会在明年参加frieze大师艺博会或PAD。同时,他还补充道:“不过,我们肯定会再参加fiac。”

尽管国际顶尖画廊云集,但fiac的买气仍然不见长进。在场的国内外藏家人头攒动,或赠fiac一句俚语以寄:师傅领进门,修行靠个人

(front) Bertrand Lavier, “Dipo”, 1993, and (back) Garder Eide Einarsson “Cruising the Anime City – An Otaku Guide to New-Tokyo (I)”, 2012, available at Yvon Lambert, Paris
(front) Dora Garcia, “The Joycean Society #1″, 2013 and (back) Hans-Peter Feldmann “Bookshelves”, 1999, available at Projectes SD, Barcelona
Roman Ondak “Outlined Stream”, 2012 at gb agency, Paris
Markus Oehlen, “Freefidelity-Camp,” 2001. Available at Galerie Hans Mayer, Düsseldorf.
Ai Weiwei, “Iron Tree,” 2013. Available at neugerriemschneider, Berlin
Yoshitomo Nara, “Setsuko the Cat”, 2012. Available at Pace Gallery
Rudolf Stingel, “Untitled”, 1994. Available for just under $0.5 million at Paula Cooper, New York

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