前波画廊(美国纽约522 West 19th Street),2015年1月8日-2月28日
史晶和吴笛笛的作品让我想到蝴蝶效应。吴笛笛对昆虫植被的近观,时而温柔,时而冲撞,一如《不在冲突》(2014)中的竹竿痛苦地分分合合,然而总是轻盈而专注细节的。史晶的画借助迂回多变的笔触描绘出幻影般的形态,大多似山,比如《麓山野鸭图》(2014)。若非这些微妙的动态,画布不过白纸尔。
两者皆非遒劲之作,而携装饰之美。两者皆自持,呈其所作,不设语境。然皆以当代之姿表传统之题,既非抽象,甚有侵凌之气。
![](https://randian-art.s3.ap-east-1.amazonaws.com/2023/10/zh-hans/image-434.png)
展览现场
![](https://randian-art.s3.ap-east-1.amazonaws.com/2023/10/zh-hans/image-435.png)
展览现场
![](https://randian-art.s3.ap-east-1.amazonaws.com/2023/10/zh-hans/image-436.png)
Wu Didi, “No Weeds No.7″, oil on canvas, 29 1/2 x 66 3/4 in, 2014
吴笛笛 (b. 1976),《没有杂草 7》,布面油画,75 x 170 cm,2014
![](https://randian-art.s3.ap-east-1.amazonaws.com/2023/10/zh-hans/image-437.png)
吴笛笛 (b. 1976),《并非自相矛盾》,布面油画,120 x 240 cm,2014
![](https://randian-art.s3.ap-east-1.amazonaws.com/2023/10/zh-hans/image-438.png)
史晶 (b. 1971),《花山妙蕊图》,布面油画,90 x 100 cm,2013
![](https://randian-art.s3.ap-east-1.amazonaws.com/2023/10/zh-hans/image-439.png)
史晶 (b. 1971),《引瑞画庐图》,布面油画,100 x 70 cm,2013